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God knows there are too many web sites out there with too many pictures: I’ve tried to use this blog as a way of discussing photographers and photographs I like, with a bit of added discussion about my own ongoing process of living and photographing. It’s part of my attempt to participate in the conversation of photography, something I can do to hopefully add to others understanding and enjoyment of the art.


Alaska as the Measure Ad

Of course, there are other ways to participate in the conversation. I love books of photography—looking at them, buying them—and making them. So far, I’ve managed to publish two books—“Far to the North: Photographs of the Brooks Range” and “Front Street Kotzebue”.   Both of these were relatively small projects, with photographs selected from one place, but easy to sequence into a book.   But I lived in Alaska for 26 years, and made many photographs, including about 5000 with an 8×10 view camera. The question is how to turn them into a book.

Panorama Mountain, 1994

Panorama Mountain, 1994

When I first came to Alaska in 1987, the Ansel Adams boom was still echoing across the landscape, and the smart money in the “art world” was that the black and white natural landscape had “been done”, and a young photographer had better find some other niche to fill. My photographic hero was Robert Adams, who photographed the human landscape, avoiding the National Parks and the monumental landscapes. But the landscape I found myself in, hundreds of miles past the end of the road in northwest Alaska, was wild beyond imagination, and I found myself point my lens at landscapes without any human artifacts, beautiful.

Matanuska Glacier, 2010

Matanuska Glacier, 2010


What does one do with photographs of beautiful natural landscapes? For years, I did not exhibit them or show them to many other people—I put them in boxes and let them age. Then, in 1996, at the suggestion of a gallery director, I sent a group of photographs to Robert Adams. He responded with an encouraging letter, and responded most strongly to the natural landscapes. Eventually he offered to sequence and edit a book of the work.


Tanana River at Freeze-up, 1993

Tanana River at Freeze-up, 1993

“Alaska As the Measure” is the result of his generous offer—a book of photographs that attempt to show the scale and beauty of the Alaskan landscape. I’ve launched a Kickstarter campaign, in part to fund the design and printing of the book, but also to show people what I’ve seen. I realize that not everyone is a photographic book collector, but I think this book is worth making—and I’m hoping to find a group of people that help make this book become reality.


Tok Cut Off, 1994

Tok Cut Off, 1994


One Comment

    • Marvin Falk
    • Posted May 6, 2014 at 8:42 pm
    • Permalink

    Alaska landscapes have been a difficult concept for decades. I have found a number of comments (you quote one yourself) that there is too much visual content to parse into a focused body of work. Alaska is awash in scenic photography, and there are not enough tables to hold all of the glossy, coffee table books (most with a short life, racing for the remainder tables). There is some amazing photography, some of these guys have impressive technical talents. However most don’t interpret, and all too many are designed to attract tourists for commercial gain, or as pleas for conservation. I think your body of work will help move this forward.

    I would love to see some essays on the state and nature of published photography of Alaska. Something with an historical bent. Perhaps there is some literature that I am not aware of. There quite a lot on photographs as an historical resource, but that’s not what I am thinking of.

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